Books

Item Description

These two special and exquisite selections from the Yale University Beinecke Rare Book and Manuscript Library celebrate the vision, intellect, power, and talent of women whose roles in shaping culture and the arts in their era and in our own cannot be overstated as we begin to develop a richer and more complete understanding of the artistic and cultural history of the United States-- Van Vechten's portraits and the Beinecke's exhibition catalogue.
Extravagant Crowd: Carl Van Vechten’s Portraits of Women:  As a photographer—and as a promoter of literary talent and a critic of dance, theater, and opera—Carl Van Vechten was as interested in the cultural margin as he was in the day’s most acclaimed and successful people. This interest in the risky and risqué imaginative fringe, in fact, accounts for Van Vechten’s remarkable ability to recognize and promote some of the most significant artistic figures and cultural movements of the twentieth century. It was his passionate commitment to the arts he valued, however unknown or unfashionable, that led him to become the first serious dance critic in the United States, to bring his white friends uptown to Harlem in the 1920s, and to promote the work of then marginal writers and performers including Gertrude Stein, Nella Larsen, and Bessie Smith.  Extravagant Crowd includes examples of Van Vechten’s most familiar subjects as well as those who are now forgotten, women whose portraits are easily recognized even many years after their deaths alongside others who might have been unrecognized at the height of their achievements. That all of the portraits included here are of women who participated in shaping their cultural moment is evident in their lives and accomplishments. It is a tribute to Van Vechten’s vision and foresight that he recognized their contributions and recorded what in some cases he believed to be their “truest” selves.
Intimate Circles: American Women in the Arts explores the lives of women—writers, artists, publishers, performers, collaborators, and community builders—whose energies set in motion lasting aesthetic and cultural practices. American women played remarkable and remarkably varied roles in the fine and performing arts in the United States and abroad throughout the twentieth century. The women portrayed here lived primarily in the late-nineteenth through the mid- twentieth centuries, an era identified with modernization, urbanization, and mechanization. Theirs was a period of tremendous social upheaval as well, when racial divisions lead to both increasingly violent riots and increasingly vocal activism among African-American communities and when a newly formed women’s movement sought suffrage, birth control, and economic independence for American women. The art world also faced major changes as new modern and abstract art forms emerged. Intimate Circle explores networks of women shaping and defining the artistic movements of the period.  Intimate Circles examines the careers and lives not only of the most celebrated American women, but also those of less familiar women. Because the range of American women’s contributions to the arts has been vast, Intimate Circles celebrates the behind-the-scenes accomplishments of editors and publishers, collectors, patrons, curators, critics, educators, partners, biographers, and arts advocates along with those of artists, writers, and performers. Though undervalued and sometimes out of sight, women’s work often drove their artistic and intellectual communities.
Because of the importance of place and community in the lives and work of these women, the exhibition uses geography as an organizing principle, highlighting how a common landscape united vastly different artists in New York City and Harlem, Chicago, the American Southwest, and Paris. These groups were somewhat fluid, and women in one circle often had significant connections to those in another; the aesthetic and social values of artistic communities were inevitably influenced by these relationships and exchanges. In this way, circles defined by intimacy, influence, or imaginative vision were not fixed, but continually shifted throughout the century, creating new artistic collaborations, allegiances, and rivalries.
The women represented in Intimate Circles, through their art, lives, and legacies, have made possible the conditions of encounter that are so essential to the growth and development of creative and intellectual communities. Intimate Circles: American Women in the Arts celebrates the vision, intellect, power, and talent of women whose roles in shaping culture and the arts in their era and in our own cannot be overstated as we begin to develop a richer and more complete understanding of the artistic and cultural history of the United States.

Item Special Note

Also included are a Beinecke Library keepsake and a Yale University Library book bag.

Shipping is NOT incuded.

Special thanks to the Yale University Libraries and to NHFPL Patrons Board member Amanda Patrick.

Mardi Gras Gala: Preservation Hall