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You are bidding on a certificate redeemable for two tickets to any show in the A.R.T.’s 2011/2012 season. This certificate expires on 6/30/12, and is not valid for Saturday evening performances. For more information on current and future shows, please visit their website at:  http://www.americanrepertorytheater.org/whats-on

The AMERICAN REPERTORY THEATER (A.R.T.) is one of the country’s most celebrated resident theaters and the winner of numerous awards — including the Tony Award, the Pulitzer Prize, and numerous local Elliot Norton and I.R.N.E. Awards. In 2002 the A.R.T. was the recipient of the National Theatre Conference’s Outstanding Achievement Award, and in May of 2003 it was named one of the top three theaters in the country by Time magazine.

Founded by Robert Brustein in 1980, over its thirty-one-year history the A.R.T. has welcomed major American and international theater artists, presenting a diverse repertoire that includes new American plays, bold reinterpretations of classical texts, and provocative new music theater productions. The A.R.T. has performed throughout the U.S. and worldwide in twenty-one cities in sixteen countries on four continents. It has presented over two hundred productions, over half of which were premieres of new plays, translations, and adaptations.

The A.R.T. is also a training ground for young artists. The theater’s artistic staff teaches undergraduate classes in acting, directing, dramatic literature, dramaturgy, design, and playwriting at Harvard University, and in 1987 the A.R.T. founded the Institute for Advanced Theater Training at Harvard University. In conjunction with the Moscow Art Theater School, the Institute provides world-class graduate level training in acting, dramaturgy, and voice.

In 2009, the A.R.T. welcomed its new Artistic Director, Diane Paulus. Armed with the A.R.T.’s mission to expand the boundaries of theater, Paulus and her team have engaged thousands of new theatergoers at performances of Sleep NoMore, The Donkey Show, Gatz, Best of Both Worlds, Johnny Baseball and Cabaret as well as festivals like Emerging America. Critics and audiences have embraced the immersive environments that have become hallmarks of A.R.T. productions. The Theater has broadened its focus to include the audience’s total experience, providing themwith a sense of ownership in the theatrical event. Initiatives like the A.R.T.’s new club theater OBERON, which Paulus calls a “second stage for the 21st century,” is an example of one initiative that has not only become an incubator for local artists but also has attracted national attention as a groundbreaking model for programming. Through all of its work, the A.R.T. is committed to building a community of artists, technicians, educators, staff and audience, all of whom are integral to the A.R.T.’s coremission of expanding the boundaries of theater.