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ON VIEW NOW

Wang Qingsong creates elaborately staged large-format photographs that focus on the dramatic social, political, and cultural changes in China in the post-Mao era.

Why & How We Say What We Say

Why & How We Say What We Say

Learn how to pronounce popular words, names, landmarks, and so much more with a French and Creole pronunciation workshop.

New in the Besthoff Sculpture Garden

New in the Besthoff Sculpture Garden

Thomas J Price’s Time Unfolding is the first of three new additions in celebration of the garden’s 20th anniversary.

 

A Speakeasy Celebration

A Speakeasy Celebration

Celebrate Rebellious Spirits with an evening featuring live music from the Jump Hounds, gallery talks, specialty cocktails and mocktails, and more.

20 YEARS OF THE BESTHOFF SCULPTURE GARDEN

20 YEARS OF THE BESTHOFF SCULPTURE GARDEN

Celebrate 20 years of the Besthoff Sculpture Garden with a year-long celebration of events and more.

NOMA BOOK CLUB PICK

NOMA BOOK CLUB PICK

Join the NOMA Book Club on Thursday, June 20, to discuss Calling for a Blanket Dance by Oscar Hokeah.

National Symposium for Emerging Scholars

National Symposium for Emerging Scholars

Watch Curatorial Fellow Laura Ochoa Rincon discuss the progression of her curatorial vision, including her studies on NOMA’s extensive glass collection.

This major solo exhibition of work by Wangechi Mutu brings together nearly one hundred sculptures, paintings, collages, drawings, and films to present the breadth of the Kenyan–American artist’s multidisciplinary practice.

Wangechi Mutu: Intertwined

This major solo exhibition of work by Wangechi Mutu brings together nearly one hundred sculptures, paintings, collages, drawings, and films to present the breadth of the Kenyan–American artist’s multidisciplinary practice.

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This exhibition highlights some of the most pioneering African artists of the twentieth and twenty-first centuries in the museum’s collection.

Afropolitan: Contemporary African Arts at NOMA

This exhibition highlights some of the most pioneering African artists of the twentieth and twenty-first centuries in the museum’s collection.

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This exhibition explores the unique methods in which the South, in particular New Orleans, dealt with the passage of the 18th Amendment to the Constitution, which banned alcohol in the United States.

Rebellious Spirits: Prohibition and Resistance in the South

This exhibition explores the unique methods in which the South, in particular New Orleans, dealt with the passage of the 18th Amendment to the Constitution, which banned alcohol in the United States.

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Drawn from NOMA’s permanent collection, works by Ilse Bing, Ruth Bernhard, Lola Alvarez-Bravo, Carlotta M. Corpron, Florence Henri, and Lee Miller illustrate ways that women pushed the boundaries of surrealist art.

Double Space: Women Photographers and Surrealism

Drawn from NOMA’s permanent collection, works by Ilse Bing, Ruth Bernhard, Lola Alvarez-Bravo, Carlotta M. Corpron, Florence Henri, and Lee Miller illustrate ways that women pushed the boundaries of surrealist art.

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Virtual Visit

NOMA on YouTube

NOMA on Instagram @neworleansmuseumofart

Take a visit to NOMA’s second floor with Museum Educator Laura Moreno to learn more about artist Lynda Benglis. 🔍

🎨: Lynda Benglis, “Brindaban Pink, 1979. Aluminum wire, copper, plastic, glass, enamel. Museum purchase, George S. Friedson, Jr. Fund, 2018.83.
📍: Second floor, Entergy Corp Gallery
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The museum and Besthoff Sculpture Garden are closed today, Monday, May 27, in observance of Memorial Day.⁠

We look forward to welcoming you back when we reopen tomorrow at 10 am.⁠
—⁠
📷: @annrowsonlove
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Take a “Challengers”-inspired look at two photographs from our permanent collection. 🎾

📽️: Film stills courtesy of Metro-Goldwyn-Mayer.
🎨: Jacques Henri Lartigue, “Deauville: Daisy Speranza,” 1916, printed 1978. Gelatin silver print. Gift of Aaron Shipper, 2005.145.10.
🎨: Harold Eugene Edgerton, “Gussie Moran Tennis Serve,” 1935–70. Gelatin silver print. Gift of Harold E. Edgerton, 78.58.
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In her time, Mary Cassatt’s pictures of ruddy baby skin and floral house gowns were revolutionary.

In the pastel colors, soft brushwork, and spontaneity of the late 19th-century French Impressionists, American artist Cassatt captured a woman’s affectionate embrace and tender gaze in her 1906 “Mother and Child in the Conservatory.”

The artist was not only one of the few Americans—and the only woman—to become allied with the radical Impressionist art movement in Paris, but her intimate paintings elevated and boldly made public the domestic, everyday life of women.

Throughout her life as an artist working in France, Mary Cassatt fiercely advocated for women’s rights, including the right to vote.

In 1914, on the eve of the First World War, Cassatt said to her close friend, the powerhouse suffragist Louisine Havemeyer, “If the world is to be saved, it will be the women who save it.”

Happy Mother’s Day from NOMA. 💐

🎨: Mary Cassatt, “Mother and Child in the Conservatory,” 1906. Oil on canvas. Museum purchase with funds contributed by Gift of Mr. and Mrs. Harold Forgotston, 82.124.
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New at the NOMA Museum Shop

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