Just announced! In recognition of Nicole Kidman’s recent AFI Life Achievement Award, our new series, A Celebration of Nicole Kidman (with 8 films she selected) — June 26 – July 7. Tickets now on sale (link in bio, or bit.ly/Celebration-of-Nicole-Kidman). ...

This Wed-Thu, Jun 5-6 only — MAN RAY: RETURN TO REASON. The four films Man Ray directed between 1923 and 1929 Le Retour À La Raison, Emak-Bakia, L’étoile De Mer And Les Mystères Du Château Du Dé — represent a high watermark of early European avant-garde cinema. (Tickets at link in bio, or bit.ly/MAN-RAY-RETURN-TO-REASON)

In celebration of the 100th anniversary of Le Retour À La Raison, the Jim Jarmusch-Carter Logan combo Sqürl present MAN RAY: RETURN TO REASON, with a newly-recorded drone rock soundtrack for that title as well as the three other Ray films. The band’s cosmic sounds complement Ray’s work by conjuring the beautiful, ineffable, haunting and sublime.

The restoration process was led by Womanray and Cinenovo sourcing original prints from various parts of the world, in partnership with La Cinémathèque française, the Centre Pompidou, the Library of Congress, the French CNC and Cineteca di Bologna. ...

💕 “It’s a movie adaptation that’s filled with love.” —Stephanie Zacharek, Salon
💞 “In her first film, Coppola is already a master at rendering inner depths startlingly, immediately visual.” —Richard Brody, New Yorker
💓 “Pure aesthetic candy; her saturated colors, pitch-perfect ‘70s sensibility, and snapshot editing produce an unsettling modern fairy tale.” —Emily Drabinski, Out Magazine

Sofia Coppola’s THE VIRGIN SUICIDES this Mon, Jun 3 at 3:30pm + 8pm* (*with an introfrom Nancy McGuire Roche, assistant professor of motion pictures at @belmontu) and Fri, Jun 7 at 3pm + 9:30pm. Part of our continuing 1999 series. (Tickets at link in bio, or bit.ly/1999-VIRGIN-SUICIDES) ...

A (maybe new to you) #1999 offering well worth your attention… Here’s how Roger Ebert described the director and this movie in 1999: “At a time when so many movies feed on irony and cynicism, here is a man who hopes we will feel better and wiser when we leave his film.” Hirokazu Kore-eda’s AFTER LIFE screens this Sun, Jun 2 at 1:45pm + 8pm* — and Thu, Jun 6 at 5:45pm (*at Sun 8pm screening, film critic Jason Shawhan introduces). Tickets at link in bio, or bit.ly/1999-AFTER-LIFE ...

See BABES at the Belcourt! (Tickets at link in bio, or bit.ly/Belcourt-BABES) ...

Our 1999 series starts this Fri, May 31 (with Paul Thomas Anderson’s MAGNOLIA screening in #35mm).

Check out the full lineup, get you Ticket 5-Packs and/or Full Passes, and download your own handy schedule > bit.ly/1999-Series ...

“The comedy of the year.” —@awardswatch

BABES now playing at the Belcourt — directed by #PamelaAdlon and starring #IlanaGlazer and #MichelleButeau (tickets at link in bio, or bit.ly/Belcourt-BABES).

@neonrated @pamelaadlon @michellebuteau @ilana ...

“I’m as mad as hell, and I’m not going to take this anymore!”

Sidney Lumet’s 1976’s NETWORK, a hard-hitting takedown of news media that proves the rule that great satire remains relevant long after the specific circumstances have changed. See it Wed, May 22 at 5:25pm + 8pm. And at the 8pm screening, comedian, podcaster, writer and musician Chris Crofton @thecroftonshow introduces (link in bio, or bit.ly/Weekend-Classics-NETWORK). ...

This Mon, May 20 at 8pm, THE WORLD GREATEST SINNER for #MusicCityMondays — in a new 4K restoration — and introduced by artist and Belcourt staffer Cody Lee Hardin @codysuckscartoons. (Tickets at link in bio, or bit.ly/WORLDS-GREATEST-SINNER)

Insurance salesman Clarence Hilliard (Timothy Carey) falls under the influence of the devil (James Farley), quits his job and becomes an offbeat evangelist, preaching that every man is eternal and calling himself “the God Hilliard.” His cult-like following explodes as he spreads his philosophy through hip-swiveling rock ‘n’ roll. Soon he grows wealthy, seduces women of all ages and runs for president. But, when those closest to Hilliard desert him, he must face himself––and the actual God. ...

Opens Thu, May 16 — #JaneSchoenbrun’s I SAW THE TV GLOW (tickets at link in bio, or bit.ly/TV-GLOW. (At Thu’s 7:25pm screening and Fri’s 7:30pm screening, @nashvillescene film critic Jason Shawhan introduces.)

Described in the @seattletimes: “A personal, poetic and profound work…. It’s not just one of the most original American films of recent memory, but the best of the year.”

#a24 #justicesmith #bridgettelundy-paine @isawthetvglow @a24 @janedoesnotknow @standup4justice @briiiiiiiiiig ...

Another Science on Screen offering! This Wed, May 15 at 7pm, #DavidCronenberg’s 1983 VIDEODROME! (Tickets at link in bio, or bit.ly/Belcourt-VIDEODROME)

With a post-screening discussion presented by Carmine Grimaldi, a filmmaker, historian and teacher at Vanderbilt University — on the topic,”Videodrome is Real” — a brief journey through the bizarre and wild history of the psychiatrists, artists and utopian dreamers who tried to transform the mind with early videotape.

Science on Screen® is an initiative of the Coolidge Corner Theatre, with major support from the Alfred P. Sloan Foundation. ...

This Mon-Tue, May 13-14, CATCHING FIRE: THE STORY OF ANITA PALLENBERG — with an introduction from musical artist and DJ Amy Darling at Mon’s 8pm screening. (Tickets at link in bio, or bit.ly/ANITA-PALLENBERG)

A bittersweet tale of adventure and misadventure — from Barbarella to the Swiss Alps, and the Lower East Side of New York, Anita Pallenberg was a woman ahead of her time. This intimate documentary reveals the story of a fierce rock ‘n’ roller, actress, muse and mother who rose to prominence in the 1960s and 1970s. ...