The Little Mermaid by Hans Christian Andersen & Yayoi Kusama: A Fairy Tale of Infinity and Love Forever follows In Infinity, the Japanese artist’s exhibition at the museum, which marked her first Scandinavian retrospective.
The 96-page book, which is tall and perfect for storytelling time, features, of course, polka-dots aplenty to accompany Andersen’s text. Despite the Danish writer’s color-filled descriptions — from the absolute blueness of the sea to red- and violet-tinged sunsets — the featured images are culled from Kusama’s black-and-white marker series of drawings Love Forever (2004–07) series and some new illustrations in a similar vein. Her bold, undulating lines, however, bring Andersen’s narrative to life, covering pages with waving and wriggling patterns; fanciful plants suggestive of wondrous aquatic wildlife; motifs resembling tentacles and waves; and an abundance of enigmatic, watchful eyes. The repetition of shapes and doodled figures forms a fluid stream of images around Andersen’s prose, giving it new and exciting energy. The images and text build a world that might just be as fantastic and mysterious as the one that the little mermaid saw when she ascended from the depths of the sea for the first time.
