Tickets-Entertainment
Tickets (2) to see Franz Ferdinand with Omni - SOLD OUT! Includes Dinner and drinks
- Item Number
- T2
- Sold
- 104 USD to cp7e71b2c
- Number of Bids
- 17 - Bid History
Item Description
Two (2) general admission tickets to this sold out show featuring the band Franz Ferdinand and special opening act Omni at The Regent Theater in downtown Los Angeles, Monday June 12, 2017 @ 8pm.
BONUS - Dinner and drinks for two at The Love Song Bar next to the theater before the show.
About Franz Ferdinand
Franz Ferdinand are a Scottish rock band, formed in 2002 and based in Glasgow. The band has been known for being one of the most popular post-punk revival bands, garnering multiple UK top 20 hits and selling over 3 million albums worldwide, as of late 2009.[1] They have been nominated for several Grammy Awards and have received two Brit Awards—winning one for Best British Group, as well as one NME Award.
The band began by releasing their debut extended play, Darts of Pleasure, in 2003, under Domino Records. The band gained recognition in the United Kingdom after the EP's title track peaked at number 44 on UK Singles Chart. In January 2004, the band released the song "Take Me Out". The song went on to achieve global recognition, charting in several countries, and earned a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal. It has since been noted as the band's signature song and has received critical acclaim from critics. The band subsequently released their eponymous debut studio album on 9 February 2004 to critical acclaim. The album won the 2004 Mercury Prize and earned a Grammy nomination for Best Alternative Album.
About Omni
Omni – the band, not the hotel – are from the former home of the Braves: Atlanta. Playing lo-fi pop that channels the specter of the late ‘70s and early ‘80s, Omni brings you back to an era where any sane person was reeling from the unfulfilled promise of the Space Age and Age of Aquarius bleeding into the looming threat of “Morning in America.”
Omni distills the buzz and grit that snakes through the best of Television, Devo, and Pylon into surprisingly danceable, hook-laden slabs of raw, angular, sonic bliss. It’s still the summer of ’78, and pushing the roots of rock & roll to its limits remains in vogue. “Deluxe” serves as a fresh reminder that rock music can work outside of blues rooted, formulaic progressions without playing it safe behind a wall of effects.
Arty enough to impress record enthusiasts, yet melodically attractive enough to transcend to those who’ve never asked: “’Sister Midnight’ or ‘Red Money’?”
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