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Atwater Park Center – Atwater Park Center Silent Auction 2017
Auction Ends: May 24, 2017 12:00 PM PDT

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  • Tickets (4) to see The Black Lips at the Regent Theater - Includes Round of Drinks!
  • Tickets (4) to see The Black Lips at the Regent Theater - Includes Round of Drinks!

Tickets (4) to see The Black Lips at the Regent Theater - Includes Round of Drinks!

Item Number
T6
Sold
25 USD to Live Event Bidder

Live Event Item

After the online close, this item went to a Live Event for further bidding. Absentee Bidding offered.

Item Description

Four (4) Tickets to see The Black Lips at The Regent Theater Friday June 23rd, 2017 8:30PM All Ages 

BONUS! One round of signature cocktails at The Love Song Bar next to the Theater. (One complimentary cocktail per eligible guest over 21 years of age.) 

About the Black Lips

Atlanta flower punk pioneers Black Lips have announced that their first album in three years, Satan’s graffiti or God’s art?, is set for release May 5 on Vice R ecords. Produced by Sean Lennon at his studio compound in upstate New York throughout 2016, the album is the group’s most musically evolved to date, while still staying true to their original blistering take on fuzzy, dirty rock n’ roll.

During the recording the band isolated themselves from the outside world, infusing the album with a focused liveliness similar to the spirit that brought them together in the first place. On Satan’s graffiti or God’s art? founding members Cole Alexander and Jared Swilley teamed with former guitarist Jack Hines (who played in the group from 2002-2004) and recent additions Oakley Munson on drums and Zumi Rosow on saxophone. The album also features contributions by Saul Adamczewski of Fat White Family and guest vocals by Yoko Ono.

Black Lips were born of DIY ethic, working their way from sweaty basement shows in Georgia to huge crowds at international music festivals (including a performance at Fun Fun Fun Fest that appears in Terrence Malick’s forthcoming film Song to Song) to tours in such far flung locales as India, Jordan, Cyprus, Egypt, Lebanon, Iraqi Kurdistan, the United Arab Emirates, and many more. Satan’s graffiti or God’s art? vindicates Black Lips for sticking it out through many years of shifting trends and buzz bands; a sonically captivating document that is as creatively unhinged as it is precisely executed, one of the rawest and most expansive albums in the band’s storied history.