Rotary Club of Winter Park, Florida, Incorporated – Winter Park Rotary Chili for Charity - Chili with a Winter Park Attitude
Auction Ends: Feb 26, 2020 07:30 PM EST

Art

Print by Navajo Artist R.C. Gorman

Item Number
151
Estimated Value
500 USD
Opening Bid
100 USD

Item Description

R.C. Gorman was born in Chinle, Arizona, in 1931 and passed in 2005.  His art is highly sought after. He bagan drawing at age three and later opened the first Native American-owned art gallery, in Taos, New Mexico in 1968.

R. C. Gorman grew up in a traditional Navajo hogan and began drawing at age 3. His grandmother helped raise him, recounting Navajo legends and enumerating his genealogy of artist ancestors. She kindled his desire to become an artist. While tending sheep in Canyon de Chelly with his aunts, he used to draw on the rocks, sand, and mud, and made sculptures with the clay, with his earliest subjects including Mickey Mouse and Shirley Temple.

He credited a teacher, Jenny Lind at Ganado Presbyterian Mission School, for his inspiration to become a full-time artist. After he left high school, he served in the United States Navy before entering college, where he majored in literature and minored in art at Northern Arizona University.

In 1958, he received the first scholarship from the Navajo Tribal Council to study outside of the United States, and enrolled in the art program at Mexico City College. There he learned of and was influenced by the work of Diego Rivera. He later studied art at San Francisco State University, where he also worked as a model.

Gorman learned about the work of the Mexican social realists: Diego Rivera, David Siqueiros, and Rufino Tamayo. He became inspired by their colors and forms to change from abstraction to abstract realism. He used abstract forms and shapes to create his own unique, personal realistic style, recognizable to all who are acquainted with his work. While in Mexico, he also learned stone lithography from a master printer, Jose Sanchez. He used lithography throughout his life as a means of making original multiple images of his inspirations, often working by drawing directly on the stones from which the lithographs were printed.

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