Tickets-Entertainment
University Musical Society - 2 Tickets to Orquesta Sinfónica de MinerÃa
- Item Number
- 245
- Estimated Value
- 100 USD
- Leading Bid
- 33 USD
- Number of Bids
- 1 - Bid History
Item Description
Enjoy two (2) tickets to Orquesta Sinfónica de Minería on Friday, October 17 at 7:30 p.m. at Hill Auditorium in Ann Arbor.
Widely regarded as a leading ensemble and musical institution in Mexico, the Minería Symphony Orchestra of Mexico remains at the musical forefront through eclectic programming, collaborations with renowned soloists and composers, and staunch advocacy of community and educational development. Founded in the 1970s, the Minería Symphony Orchestra boasts a legacy of excellence that attracts leading international conductors and artists including León Spierer, Peter Maag, Carmen Moral, Nicanor Zabaleta, Renata Scotto, Maxim Shostakovich, Philippe Quint, and more, solidifying its goal of providing a platform to showcase the highest caliber of national artistry.
Orchestra Conductor Carlos Miguel Prieto, is celebrated as a rising star both domestically and abroad, being named 2019 Conductor of the Year by Musical America and is the foremost Mexican conductor of his generation. He serves as artistic director of México City’s Minería Symphony, which was founded in the 1970s and is widely regarded as the leading musical institution in México — one that regularly supports and programs Mexican composers. Housed at the Academia de Música del Palacio de Minería, the name honors the period from the 18th century when mining was one of the region’s most important economic activities.
Joining the Minería Symphony in their first Ann Arbor performance is Latin Grammy Award-winning pianist/composer Gabriela Montero, a frequent Prieto collaborator. Montero, known for her passionate virtuosity and brilliant improvisation, performs her first piano concerto, a soulful work showing the complexities of South American life. “Montero’s playing has everything: crackling rhythmic brio, subtle shadings, steely power in climactic moments, soulful lyricism in the ruminative passages and, best of all, unsentimental expressivity.” (The New York Times)
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